Cues and Pseudocues in Texture and Shape Perception
نویسندگان
چکیده
In estimating properties of the world, we often use multiple sources of information. For example, in estimating the three-dimensional (3D) layout of a scene, there are many sources of information or “cues” available for the estimation of depth and shape (Kaufman, 1974). These include binocular cues (disparity, vergence), motion cues (motion parallax, the kinetic depth effect), pictorial cues (texture, linear perspective, occlusion, etc.), and more. Human observers often combine these cues in a near-optimal fashion so as to maximize the precision of their estimates of scene layout (see Chapter 1, also Landy, Maloney, Johnston, & Young, 1995). Some cues are acquired after birth. In infancy, themotion and binocular cues appear to develop around 3–4 months of age, with use of the pictorial cues beginning some 3 months later (Kellman & Arterberry, 1998, 2006). The onset of responses to binocular disparity appears to be based on maturation of the required vergence control and cortical architecture (binocular, disparity-tuned cells). On the other hand, it is not known whether the onset of the response to pictorial depth cues is the result of maturation or learning. If a new depth cue is to be learned, the visual system has to note a correlation between values of that cue and other indicators of the values of the environmental variable being estimated. For example, consider the pattern of texture as a cue to slant. For observers to learn how to use texture, they must associate larger texture gradients (rapid changes in the size and density of texture elements across the image) or larger values of foreshortening (in which circles on the surface appear as eccentric ellipses in the retinal image) with larger values of surface slant. An observer could do so by noting the correlation of these image features with previously learned cues to surface slant such as the gradient of binocular disparities, or by using haptic cues as the observer handles the surface manually. Backus and colleagues (see Chapter 6; Backus & Haijiang, 2007; Haijiang, Saunders, Stone, & Backus, 2006) investigated the visual system’s ability to learn new depth cues. They did so by artificially pairing different values of a new, arbitrary “cue” with depth cues on which the visual system already relies. In their experiment, observers viewed Necker cubes that rotated about a vertical axis (Fig. 14.1). ANecker cube (Necker, 1832) is a picture of a transparent cube in which only the edges are drawn. It is an ambiguous figure; every few seconds the perception of the cube “switches” so that the face that was previously seen as behind is now perceived to be in front, and vice versa. When such a figure is rotated, the perceived direction of rotation reverses along with perceived depth.
منابع مشابه
The role of visuohaptic experience in visually perceived depth.
Berkeley suggested that "touch educates vision," that is, haptic input may be used to calibrate visual cues to improve visual estimation of properties of the world. Here, we test whether haptic input may be used to "miseducate" vision, causing observers to rely more heavily on misleading visual cues. Human subjects compared the depth of two cylindrical bumps illuminated by light sources located...
متن کاملIntegration of Multiple Cues in Shape from Texture∗
Texture has been investigated as a cue for reconstructing 3-D structure. There are various textures in a natural scene. In this paper, the regularity of alignment of texture elements was manipulated to investigate its effect on human perception. The results show that the regularity affects human perception when only the texel density gradient is given as cue or the density cue is inconsistent w...
متن کاملThe relative efficacy of cues for two-dimensional shape perception
The visual system uses a variety of cues for form perception, including motion, color, binocular disparity, texture, and luminance. Physiological evidence suggests that these cues are processed by different neural mechanisms. Do the cues processed by some mechanisms convey any advantage for form perception when compared to cues processed by another? In response to this question we assessed the ...
متن کاملThe effect of viewpoint on perceived visual roughness.
In previous work, we examined how the apparent roughness of a textured surface changed with direction of illumination. We found that observers exhibited systematic failures of roughness constancy across illumination conditions for triangular-faceted surfaces where physical roughness was defined as the variance of facet heights. These failures could be due, in part, to cues in the scene that con...
متن کاملHow little do we need for 3-D shape perception?
How little do we need to perceive 3-D shape in monocular natural images? The shape-from-texture and shape-from-shading perspectives would motivate that 3-D perception vanishes once low-level cues are disrupted. Is this the case in human vision? Or can top-down influences salvage the percept? In this study we probe this question by employing a gauge-figure paradigm similar to that used by Koende...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
عنوان ژورنال:
دوره شماره
صفحات -
تاریخ انتشار 2009